The Arc de Triomphe in Paris conveys a powerful historic symbol at the centre of the star-shaped “Place de l’Étoile”. It is one of Paris’ most famous monuments, ideally situated at the top of the Champs-Élysées.
Majestically set on top of a hill, the Arc de Triomphe offers the best view of the Historical Axis which runs through some of Paris’ most celebrated monuments and squares: from the Louvre and the gardens of the Tuileries to La Défense, passing through the Champs-Élysées.
The Arc de Triomphe along the Historical Axis of Paris
At the end of the Avenue des Champs-Élysées stands the mighty Arc de Triomphe, at the centre of a huge square in the shape of a ‘star’, accurately named the “Place de l’Étoile”. The huge arch was raised on the centreline of the Historical Axis of Paris, some 2.2km away from the Luxor Obelisk on the Place de la Concorde. This celebrated monument is the highest triumphal arch in Europe and stands 50 metres high.
The Neoclassical design of the Arc de Triomphe by Jean Chalgrin (1739–1811) was inspired by the triumphal Arch of Titus in Rome.
This famous Parisian landmark was commissioned from Jean Chalgrin by Napoleon Bonaparte in 1806 who once said to his soldiers “When you come back home, it will be through these triumphal arches”. But Napoleon never saw the monument completed. During the Napoleonic Wars, the building was stopped and only resumed in the reign of Louis-Philippe in the 1830s. It was inaugurated on the 29 July 1836, only three months before the raising of the Luxor obelisk – another symbolic landmark – in the Place de la Concorde down the hill. The remains of Napoleon travelled under the arch on the 15th December 1840 on its way to his final resting place in the chapel of the Hôtel des Invalides. On the 22nd May 1885, the corpse of Victor Hugo was allowed to rest the whole night under the arch before being buried at the Panthéon.
The Arc de Triomphe: a strong historic connotation
The Arc de Triomphe honours those who fought for France, particularly during the Napoleonic Wars. In the ground beneath the arch, the tomb of the Unknown Soldier (Soldat inconnu) of the First World War is interred. The eternal Flame of Remembrance placed on the grave echoes that of the Vestal Virgins in Rome which was extinguished in 394 by Barbarian raids. It remembers the soldiers killed in the war who were never identified. Since 1923, the flame has been rekindled every evening at 6.30pm by associations of war veterans.
The Arc de Triomphe is certainly a symbolic monument with a strong historic connotation, and its alignment along the Historical Axis has been meticulously calculated to have the sun setting under the arches on some particular days. Twice a year, around the 10th May and the 1st August, the sun sets on the Historical Axis. The sun rises towards the East under the arch around the 7th February and the 4th November.
The façade of the Arc de Triomphe
The four sides of the façade of the triumphal arch were decorated with impressive bas-reliefs, high-reliefs and friezes describing scenes from the Napoleonic Wars.
The four high-reliefs at the base of the Arc de Triomphe are ‘The Triumph’ (Cortot, 1810), Resistance, Peace (both by Antoine Étex) and the ‘Departure of the Volunteers‘ (1792) by François Rude. This sculptural group showing the departure of citizens to defend the nation is probably the most renowned and is also known as ‘La Marseillaise’. The Amazon-type character charging forward with a sword symbolises the Revolution. Note the harsh expression on her face contorted in a fierce rallying cry.
Above the high-reliefs, on six sides of the façade of the Arc de Triomphe were set six bas-reliefs depicting important events of the French Revolution and the Napoleonic era:
❖ On the Champs-Élysées’ side – left: La bataille d’Aboukir (The Battle of Aboukir), by Seurre the Elder.
❖ On the Champs-Élysées’ side – right: Les funérailles du général Marceau (General Marceau’s burrial), by P.H. Lamaire.
❖ On the Avenue de Wagram’s side: La bataille de Jemappes (The Battle of Jemappes), by Carlo Marochetti.
❖ On the Avenue de la Grande Armée’s side – left: La prise d’Alexandrie (The Fall of Alexandria), by J.E. Chaponnière.
❖ On the Avenue de la Grande Armée’s side – right: Le passage du pont d’Arcole (The Battle of Arcole), by J.J. Feuchère.
❖ On the Avenue Kléber’s side: La bataille d’Austerlitz (The Battle of Austerlitz), by J.F.T. Gechter.
The frieze above the bas-reliefs was executed by several artists of the 19th century: Rude, Brun, Jacquet, Laitié, Caillouette and Seurre the Elder. The Champs-Élysées’ side depicts the departure of French soldiers to war campaigns and on the West side, (Avenue de la Grande Armée) their return.
Between the frieze and the top of the monument are a series of thirty shields onto which are engraved the names of major Revolutionary and Napoleonic military victories.
The inside walls of the Arc de Triomphe feature the names of 660 people, mostly the French generals of Napoleon. The names of those killed in battle are underlined. The shorter sides of the four supporting columns contain the names of the major victorious battles of the Napoleonic Wars. The battle of Waterloo does not appear there as they do not include the battles which took place after the departure of Napoleon from Elba (1815).
The Place de l’Étoile or Place Charles de Gaulle
The Place de l’Étoile (since renamed “Place Charles de Gaulle”) is a symbolic place, with its configuration of 12 avenues radiating out from the Arc de Triomphe, each bearing the names of illustrious French military leaders: Foch, Marceau, Hoche or Kléber… it is often considered to be the most challenging roundabout for motorists to drive around.
It was Baron Haussmann who approved the square’s design, the one that gave the square its particular star-like shape that we see today. The circular square, 120 metres in diameter, is the centre – the star – from where 12 avenues radiate out in a remarkable geometric pattern.
The number 12 is traditionally known as a sublime number (a number that has a perfect number of divisors, and the sum of its divisors is also a perfect number). The number is found in various symbolic places: the 12 apostles, the 12 signs of the zodiac, the 12 months in a year, the 12 hours in a day or night.
To have a triumphal arch as a centre, from which 12 avenues form the radiating lines of a perfect star, set on a stunning historical axis on which various famous landmarks are aligned… what more could a national capital such as Paris ask for?
The answer is that with Parisian and French leaders, anything is possible! President François Mitterrand wished to expand the great perspective beyond the Arc de Triomphe by erecting an even larger, taller and wider monument: the Grande-Arche de la Défense.
Practical information on the Arc de Triomphe
On a practical note, the Arc de Triomphe is accessed through a pedestrian underground corridor which links the north corner of the Champs-Élysées to the Avenue de la Grande Armée. Visitors can either use the lift or climb the 284 steps to reach the panoramic platform.
The panoramic view from the platform is amazing as it displays the twelve avenues departing from the Place de l’Étoile. The viewing platform also offers a fine view over the whole Historical Axis, from the Louvre to the Grande Arche in the CBD of La Défense. The best time of the day to appreciate the fine view is to go up at dusk on a sunny day when most of Paris will then be illuminated with the light of the setting sun.
The view of Avenue de la Grande Armée to La Défense:
The view of the Champs-Élysées to the Place de la Concorde (at Christmas):
The view of Avenue Kléber and of the Eiffel Tower:
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